Posts by Peter Ranscombe
Edinburgh Riding of the Marches returns
THE Edinburgh Riding of the Marches will return on 10 September following a three-year gap. The event traces its roots to the historic riding of the boundaries – or “marches” – of the city, which dates back to 1579. The practice died out after 1718 but was revived in 1946 to mark the end of…
Read MoreFilm Review: Isla
Jeremy Welch reviews a new short film called Isla. IT IS without doubt one of the most difficult disciplines in cinema to create a short. A short is defined by the Academy of Motion Picture Arts & Sciences as “an original motion picture that has a running time of 40 minutes or less, including all…
Read MoreFringe Review: Frank Skinner: 30 Years of Dirt
Alister Tenneb reviews Frank Skinner: 30 Years of Dirt at the Edinburgh Festival Fringe. I FIRST saw Frank Skinner more than 30 years ago, performing in one of the smallest rooms in the Pleasance Courtyard, a couple of years before he won The Perrier Award. I think there were about five people in the crowd.…
Read MoreFringe Review: Paul Foot: Dissolve
Alister Tenneb reviews Paul Foot: Dissolve at the Edinburgh Festival Fringe. PAUL FOOT enters the room and immediately is right up shouting into people’s faces in a pretty full-on manner – possibly it’s his way of laying down the rules for audience engagement. I’m glad not to be on the receiving end of it. He…
Read MoreFringe Review: Alexander Bennett: I Can’t Stand the Man, Myself
Alister Tenneb reviews Alexander Bennett: I Can’t Stand the Man, Myself at the Edinburgh Festival Fringe. HAVING arrived just in time for the performance, I was dreading sitting at the front and where the only empty seat was in this sell out production – I was very relieved that Alexander Bennett made a point of…
Read MoreFringe Review: Clara Pople
Jeremy Welch reviews Clara Pople at the Edinburgh Festival Fringe. WORKING as a reviewer during the festival is a bit like working on an oyster farm – you shuck away at the oysters in the hope of finding pearls. More so when you review shows in the Free Fringe. My admiration for these artists that…
Read MoreFringe Review: Let the Bodies Pile
Jeremy Welch reviews Let the Bodies Pile at the Edinburgh Festival Fringe. HENRY NAYLOR is a fantastic playwright with justifiable awards and accolades heaped upon him. This production is typical Naylor, probing, questioning and leaving the audience to judicate. Is it his best work? No, but it is great theatre all the same. The play…
Read MoreFringe Review: Ringer
Jeremy Welch reviews Ringer at the Edinburgh Festival Fringe. RINGER tells the tale of a callous, dissolute actor called Fabian Bevan, played by Fabian Bevan. Fabian Bevan as the character is an actor that has, and continues to have, endless problems in his life, all self-inflicted; his is the life of the uncontrolled Hollywood star.…
Read MoreFringe Review: Nan, me and Barbara Pravi
Jeremy Welch reviews Nan, me and Barbara Pravi at the Edinburgh Festival Fringe. WHAT a wonderful way to spend an hour at the Fringe in the company of a very talented actress. Hannah Maxwell’s solo production is amusing, belly achingly funny at times, with a poignancy towards the end that leaves the audience sad for…
Read MoreFringe Review: Stampdown Comedy Night
Richard Bath reviews Stampdown Comedy Night at the Edinburgh Festival Fringe. SHOCKINGLY shite. Truly execrable. Peerlessly rubbish. In quarter of a century of attending numerous comedic shows at each Fringe, I’ve seen some right old tosh. Yet nothing comes close to matching the sheer teeth-grinding horror of this mind-sappingly puerile waste of time and money…
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