As the world’s biggest arts festival kicks off, some of this year’s Edinburgh Festival Fringe performers have shared the lengths they have gone to in pursuit of the dream job.
This year’s performers are full of stories and experiences that have helped them take a small step forward in pursuing their dream job at the Edinburgh Fringe.
Recruitment website HiJOBS.net has spoken to some performers ahead of the event.
For Nick Cohen, performer and writer of Life with Oscar, his first ‘industry’ job as a runner on a film location saw him suffer constant pranks by the builders next door.
‘Disruptive football chants escalated to laxatives in my tea and being mildly electrocuted with a piece of copper pipe,’ said Nick.
Though in the end, Nick feels it was worth it: ‘Nonetheless it helped me climb up the film ladder which eventually led to living in Hollywood with a double Oscar winner and providing the inspiration for my new show.’
Ex-Teletubby Laa-Laa, Nikky Smedley, whose show Confessions of a Teletubby reminisces about her life as part of the show, said: ‘Every time I was out of the suit, working on Teletubbies was the best job ever, but inside the suit was a living hell and definitely the worst.’
Amie Kendall, performing in the eighties-set comedy Gold!, never tires of her festival experience.
Credit: VisitScotland / Kenny Lam.
‘Every time I arrive and see all the faces I know and love, all the colours of the venues and hear the audience clap at one of the shows I get to play a tiny part in making, I pinch myself,’ she said.
And for Tim Marriot, lead actor in Sherlock-inspired Watson: The Final Problem, working at The Fringe has provided him with some extra special life experiences:
‘The most pinch me moments at The Fringe would be finding myself, thick with a cold, discussing the best recipe for a hot toddy with Eddie Izzard, me dressed in a Victorian frock coat, Eddie in a frock and the bartender unfazed, not blinking an eye, as she made our potions,’ said Tim.
But the life of a performer isn’t for everyone.
In a survey of Edinburgh residents, HiJOBS, 43% cited unsociable hours – regularly associated with performance arts and comedy circuits – as a major job turn-off.
Similarly, there was a reluctance to travel too far from home, with just 6% willing to travel more than 100 miles for a dream job.
Almost one in four (38%) Edinburgh residents believed their lack of confidence held them back from going for their ideal career.
Add to that ‘fear of the unknown’ being quoted by 30% of locals, it appears that it’s mainly internal barriers to be tackled in order to nab that dream job – essentials for a career in performing arts and comedy.
But for those committed to their passion, it’s worth the hardship.
Singer and musician Giles Robson, performing at Up Close with The Blues, recalls his time working for a small holiday park chain working six nights and travelling 666 miles every week for six months as challenging.
But building a resilience that has served him well: ‘Although not artistically satisfying, I credit it in hardening me into a professional performer who after this experience could jump on stage and thrive in any set of circumstances and in front of any audience.’
Laura Saunders, Commercial Director and Founder, HiJOBS said: ‘It’s fascinating to learn more about the sometimes-winding career paths of this year’s Fringe performers and the commitments they’ve made in the course of pursuing their dream job.
‘Whether you think they’re fearless or foolish, when it comes to our own careers there is absolute merit in following their example and taking the plunge, even when we risk rejection. After all, the reward could be dreamy.’
To explore the results of HiJOBS annual job survey visit: hijobs.net/survey-2023
Read more on Scottish Field’s News pages.
Plus, don’t miss the July issue of Scottish Field magazine.
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