Fringe Review: 1984

Jeremy Welch praises Sofia Barvsevich’s near sell-out production as ‘brave, brutal, disturbing and absolutely relevant’. ★★★★★ ‘War is peace, freedom is slavery and ignorance is strength.’ George Orwell. Almost everyone knows this dyspotian quote from Big Brother. This production is quite remarkable as in one hour it condenses Orwell’s 1984 novel perfectly. There is almost…

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Fringe Review: Forging the Swords

Adapted from Lu Xun’s novel, Forging the Swords tells the story of a naturally kind-hearted child, who is suddenly entrusted with the monumental task of avenging his father’s murder, says Megan Amato. ★★★★ One way actors can prove their mettle is to carry on in the face of adversity – and that is exactly what…

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Fringe Review: Liminal

Megan Amato enjoys this contemporary dance production. ★★★★ If you didn’t see this show, I’m sad to say that you missed out on a gem. Combining traditional Erhu music with jazz dance, this blend of east meets west was nearly seamless as musician and dancer worked in conjunction to deliver a story about an astronomer’s…

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Fringe Review: Sex, Camp, Rock ‘N Roll

Ailsa Bath on this musical cabaret fantasy that explores sexuality and sex work. ★★★ With star of the show Ryan Patrick Welsh dressed in sheer, glittery assless chaps and not much else, and flanked by two backing performers with an anatomically blunt moniker, this cabaret is not for the bashful. Sex Camp and Rock n…

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Fringe Review: Alison Larkin, Grief… A Comedy

Alison Larkin grips the audience with this production, says Jeremy Welch. ★★★★ Alison Larkin was adopted from America by an English family and grew up in England. Deciding to find her birth mother she returned to America, found her, got married to an American, started a family and then got divorced. In her middle years…

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Fringe Review: Nina Gilligan, Goldfish

Ailsa Bath finds Nina Gilligan ‘achingly relatable and effortlessly funny’ in her performance Goldfish. ★★★ Nina Gilligan’s Goldfish was a humorous meander through the life of a middle aged woman. She openly acknowledged that her target audience were women above 40 and men under thirty which meant several references flew right over my twentysomething head…

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Fringe Review: Rouge

Jeremy Welch samples the circus for grown-ups, with the award-winning Australian circus cabaret sensation Rouge. ★★★★ Rouge is an Australian production with a professional and talented troupe of artists. The show is advertised as ‘….a celebration of the astonishing, surprising, subversive and supremely sexy.’ It is all of the above featuring – circus acts with…

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Fringe Review: Sleeper

Megan Amato takes in the ‘unforgettable’ Korean dance performance Sleeper. ★★★★★ You know you’re in for a titillating performance when you walk into the theatre and a mysterious translucent stand is waiting for you on stage. It wasn’t until the lights dimmed and the show began – five minutes after we entered – that I realized…

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Fringe Review: Taiwan Season, Lost Connection

Megan Amato on Taiwan Season, Lost Connection – a fast-paced and agile performance that speaks to the heart and reality of our relationships today. ★★★★ You best believe that when Taiwan Season come to town, my name will be on the list for every single one of their shows. Their talent recruitment team has not…

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Fringe Review: Look At Them!

Megan Amato on one of her favourite performances of the Fringe so far, Look At Them! ★★★★★ This may be one of the best performances I’ve seen at the Fringe in years. Yes, it was that good. Look at Them! was the fifth piece of dance/physical theatre I had seen over that weekend, and like…

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