FRINGE REVIEW: “See You”

See You – Venue 22 – Dance Base – Studio 1 – 5.30pm A ROSTER of stunning shows has been brought to the Fringe this year by Taiwan Season, and contemporary dance company Hung Dance and choreographer Lai Hung-Chung’s psychologically-charged See You tops my list of best performances. Each of these incredibly capable dancers’ movements…

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Watch out for the ‘Money Mule Man’ in Edinburgh

IF THE “Money Mule Man” approaches you in Edinburgh tomorrow then just say “No” – and you could win £100. Comedian Paul Black has teamed up with Royal Bank of Scotland-owner NatWest to warn people about the dangers of becoming a “money mule”, when a criminal asks you to channel money for them through your…

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FRINGE REVIEW: “Shamilton”

Shamilton – Venue 17 – Assembly George Square Studios – Studio One – 5.30 pm LIN-MANUEL Miranda’s hip-hop musical Hamilton is a modern classic, adored by fans world-wide. So, it is no surprise that Baby Wants Candy’s improv spoof Shamilton would be just as well received. Outfitted in near-matching costumes, the performers took the stage…

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FRINGE REVIEW: “Child from Wuhan”

“Child From Wuhan: Trauma, Love and Diarrhea – Moni Zhang” – Venue 272: Laughing Horse @ The Three Sisters – The Wee Room – 5pm PACKED into what is likely the smallest and warmest room in the entire festival, Moni Zhang joked to the sold-out room that she had been cat-fished by the venue. With…

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FRINGE REVIEW: “Six stories”

Six Stories – Venue 43: theSpace @ Symposium Hall – Amphitheatre – 10.40pm IN THIS stunning performance presented by the Korean Cultural Centre, Korean band WeMu forged together different instruments and rituals, combining tradition and modern music to break down shamanic customs into “six stories”. Each song was introduced by one of the band members…

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FRINGE REVIEW: “Tom Lucy: Melt”

Tom Lucy: Melt – Venue 33 – Pleasance Courtyard – Upstairs – 9.45pm TOM LUCY delivered a very funny, very slick show. His material covered various issues facing a sensitive young man in his 20s, from father issues to appreciation of fine furniture to later life circumcision. There was a lot of family-centred material throughout,…

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FRINGE REVIEW: “Friendsical”

Friendsical – Venue 20 – Assembly Rooms – Music Hall – 7.55pm THERE is likely no television show as universally known as Friends, so it was very ambitious for the actors of Friendsical to step into these beloved roles. The cast were introduced onto a replica Central Perk set as they twirled umbrellas in a…

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FRINGE REVIEW: “Angel by Henry Naylor”

Angel by Henry Naylor – Venue 24: Gilded Balloon Patter Hoose – Other Yin – 4pm I’VE been very lucky at this festival and have seen some wonderful productions and now, having watched Angel, I can say that any further productions will have to be extraordinary to better it. Angel tells the story of a…

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FRINGE REVIEW: “9 Circles”

9 Circles – Assembly George Square Studios – Studio Two – 1.30pm THE title is structured around the nine rings of Dante’s Inferno. Watching this gritty, hard hitting, and at times raw and troubling production leaves you rattled. That’s good theatre in my book. The play is based on a US serviceman called Steve Dale…

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FRINGE REVIEW: “Bloke and his American Bantu”

Bloke and his American Bantu – Assembly George Square Studios – Studio Two – 11.30am IT IS hard for productions to get noticed at the Fringe in a crowded field of 3,300 – it’s rather like being a solo soprano in a multi-hundred populated Welsh bass choir. Combine that with being allocated the death slot…

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