Posts Tagged ‘production’
Festival Review: Phaedra/Minotaur
Madeleine Sutton reviews Phaedra/Minotaur at the Edinburgh International Festival. IN THIS production of Phaedra/Minotaur – which pairs Benjamin Britten’s final poignant cantata Phaedra, with the moving new dance piece Minotaur – opera and theatre director Deborah Warner and choreographer Kim Brandstrup take us through themes of passion, female desire, and devastation. Phaedra, based on Robert…
Read MoreArt news round-up: Great Tapestry of Scotland, chainsaws, and more
THE tenth anniversary of the unveiling of the Great Tapestry of Scotland will be marked on 1-3 September at the community arts project’s purpose-built visitors’ centre in Galashiels. King Charles and Queen Camilla visited the tapestry last month. Sandy Maxwell-Forbes, the centre’s director, said: “As well as placing our new royal panel in its permanent…
Read MoreFilm Review: Isla
Jeremy Welch reviews a new short film called Isla. IT IS without doubt one of the most difficult disciplines in cinema to create a short. A short is defined by the Academy of Motion Picture Arts & Sciences as “an original motion picture that has a running time of 40 minutes or less, including all…
Read MoreFringe Review: Alexander Bennett: I Can’t Stand the Man, Myself
Alister Tenneb reviews Alexander Bennett: I Can’t Stand the Man, Myself at the Edinburgh Festival Fringe. HAVING arrived just in time for the performance, I was dreading sitting at the front and where the only empty seat was in this sell out production – I was very relieved that Alexander Bennett made a point of…
Read MoreFringe Review: Fall and Flow
Megan Amato reviews Fall and Flow at the Edinburgh Festival Fringe. AS I slipped into the performance, I was not clear on what kind of show I had walked into to as it was wholly different from what I had expected nor anything like what I had seen at the Edinburgh Fringe so far. However,…
Read MoreFringe Review: Let the Bodies Pile
Jeremy Welch reviews Let the Bodies Pile at the Edinburgh Festival Fringe. HENRY NAYLOR is a fantastic playwright with justifiable awards and accolades heaped upon him. This production is typical Naylor, probing, questioning and leaving the audience to judicate. Is it his best work? No, but it is great theatre all the same. The play…
Read MoreFringe Review: Hello, the Hell: Othello
Megan Amato reviews Hello, the Hell: Othello at the Edinburgh Festival Fringe. BARDOLATORS may be horrified to hear that I was never a huge fan of Shakespear’s works – comedies nor tragedies. Despite this, I have seen and read an extraordinary number of retellings as they often bring fresh and creative twist. In Creative Jakhwa’s…
Read MoreFringe Review: Ringer
Jeremy Welch reviews Ringer at the Edinburgh Festival Fringe. RINGER tells the tale of a callous, dissolute actor called Fabian Bevan, played by Fabian Bevan. Fabian Bevan as the character is an actor that has, and continues to have, endless problems in his life, all self-inflicted; his is the life of the uncontrolled Hollywood star.…
Read MoreFringe Review: Nan, me and Barbara Pravi
Jeremy Welch reviews Nan, me and Barbara Pravi at the Edinburgh Festival Fringe. WHAT a wonderful way to spend an hour at the Fringe in the company of a very talented actress. Hannah Maxwell’s solo production is amusing, belly achingly funny at times, with a poignancy towards the end that leaves the audience sad for…
Read MoreNational Theatre unveils Dracula and Mina
THE National Theatre of Scotland (NTS) has today unveiled the first look at its production of Dracula: Mina’s Reckoning. The play was written by Morna Pearson and shifts Bram Stoker’s narrative to the North-East. The NTS has assembled an all-female and non-binary cast for the production, which will tour Scotland, Liverpool, and Coventry in September…
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