Posts Tagged ‘production’
Fringe review: Tending
Jeremy Welch reviews Tending at the Edinburgh Festival Fringe. Normally when the NHS is mentioned it is conjoined to those that want it restructured, those that want more funding and those that think nurses are saints or not. All this narrative is usually underpinned by entrenched political views. So it was with some nervousness that…
Read MoreFringe reviews: The Greatest Show Songs
Jeremy Welch reviews The Greatest Show Songs at the Edinburgh Festival Fringe. On arrival I was expecting a wide age range of attendees but it would seem that this show has a large groupie following of silver haired West End aficionados. It felt slightly like arriving on a SAGA cruise holiday, which was a shame…
Read MoreFringe review: Salty Irina
Jeremy Welch reviews Salty Irina at the Edinburgh Festival Fringe. The play is set in some non-defined Northern European city where there have been a series of murders, all the murdered are foreigners, all recent immigrants. Irina, played by Yasemin Ozdemir, arrives at her apartment and the steps are steeped in blood, obviously the result…
Read MoreInternational Festival Review: Trojan Women
Megan Amato reviews Trojan Women at the Edinburgh International Festival. As someone who usually keeps the media consumed to happy – or at least bittersweet – endings, a retelling of Euripides’ epic tragedy may seem like an odd choice. However, I was immediately drawn to this women-forward production combining Korean pansori with a famous Greek…
Read MoreFringe Review: Ctrl Room
Jeremy Welch reviews Ctrl Room at the Edinburgh Festival Fringe. This is an immersive theatre production from Black Hound Productions. Think Crystal Maze and you’ll be along the right track. The scene is the battlefield of the future and the role of artificial intelligence in battle. The audience is separated into two different rooms by a…
Read MoreFringe Review: Wiesenthal
Jeremy Welch reviews Wiesenthal at the Edinburgh Festival Fringe. Written by Tom Dugan and acted by Christopher Gibbs, this production is compelling. It takes place in Wiesenthal’s office just before his retirement. Gibbs plays Wiesenthal perfectly at the later stages of his working life, retiring he may be but the fire and dedication to track down…
Read MoreFringe Review: Warriors
Jeremy Welch reviews Warriors at the Edinburgh Festival Fringe. This production is outstanding theatre, theatre at its very best. Warriors tells the tale of three soldiers who have recently completed basic training at Colchester and are destined for a six month tour in Helmand Province in Afghanistan. When I first read that this storyline was going…
Read MoreFringe Review: Angel Monster
Jeremy Welch reviews Angel Monster at the Edinburgh Festival Fringe. This dance production from Australian Troupe Phluxux2 Dance Collection is sold with the theme of equality, ownership and respect. It’s more complex than those three words. The five female members of the troupe start by welcoming the audience in an obsequious and servile manner ushering the…
Read MoreGordonstoun stages new-look Macbeth 60 years after King Charles took leading role
Pupils from King Charles’ former school will stage a performance of Macbeth 57 years after Charles played the leading role. Event goers at the Edinburgh Festival Fringe will be treated to a rock adaptation of one of William Shakespeare’s most famous plays, showing from 5-12 August. Pupils at Gordonstoun will bring the story to the…
Read MoreFrom Harry Potter to the Tattoo: Michael Braithwaite on this year’s event
His globe trotting career has seen him work with Warner Brothers on the Harry Potter films, and help produce the London Olympics. But Michael Braithwaite is attracting a new audience as he gears up for his second year in charge of the Royal Edinburgh Military Tattoo. New Zealand born Michael is the first non-military figure…
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