Posts Tagged ‘review’
REVIEW: Prestonfield’s glorious Autumn Harvest Afternoon Tea
A nice cup of tea. In our house, few traditions are quite as sacred. After all, is there anything as restorative as a strong brew served in a tactile mug, and enjoyed in good company? I pondered the power of a good ‘cuppa char’ as we drove towards Edinburgh’s Prestonfield House, an unapologetically luxurious five-star…
Read MoreREVIEW: Duck & Waffle Edinburgh’s Sunday roast
If there’s one thing that Rosie Morton loves, it’s a hearty, autumnal meal. She jumps headlong into the new season by tucking into Duck & Waffle Edinburgh’s new two-course Sunday roast. ‘Tea’s ready!’ When I was a child, those words marked the start of an unspoken race. Truth be told, my brother and I were always…
Read MoreFestival Review: Bluebeard’s Castle
Megan Amato reviews Bluebeard’s Castle. When I was first given the program for the upcoming International Festival, I immediately clicked yes for Bluebeard’s Castle without much thought. As a lover of classic fairy tales reimagined through different mediums, I assumed I was in for Bela Bartok’s classic operatic tale of a woman forcing open doors…
Read MoreFRINGE REVIEW: FLAMENCO GUITAR ODYSSEY WITH PHILIP ADIE
Rosie Morton reviews Philip Adie’s Flamenco Guitar Odyssey. ONE man and his guitar. Amidst the madness of The Fringe, it pays to keep things simple. Aberdeen-born Philip Adie, who now lives in Seville, did just that with his ‘Flamenco Guitar Odyssey’. Taking to the stage in Alba Flamenca, an intimate venue on East Crosscauseway, Adie…
Read MoreFestival Review: Phaedra/Minotaur
Madeleine Sutton reviews Phaedra/Minotaur at the Edinburgh International Festival. IN THIS production of Phaedra/Minotaur – which pairs Benjamin Britten’s final poignant cantata Phaedra, with the moving new dance piece Minotaur – opera and theatre director Deborah Warner and choreographer Kim Brandstrup take us through themes of passion, female desire, and devastation. Phaedra, based on Robert…
Read MoreFringe Review: Trash Test Dummies
Alister Tenneb reviews Trash Test Dummies at the Edinburgh Festival Fringe. THIS acrobatic/circus/slapstick performance essentially revolves around three wheelie bins – doesn’t fill you with delight? The show is geared towards kids ten years and under and judging by the near constant shouts, shrieks, squeals of laughter from their younger attendees they certainly know their…
Read MoreFilm Review: Isla
Jeremy Welch reviews a new short film called Isla. IT IS without doubt one of the most difficult disciplines in cinema to create a short. A short is defined by the Academy of Motion Picture Arts & Sciences as “an original motion picture that has a running time of 40 minutes or less, including all…
Read MoreFringe Review: Frank Skinner: 30 Years of Dirt
Alister Tenneb reviews Frank Skinner: 30 Years of Dirt at the Edinburgh Festival Fringe. I FIRST saw Frank Skinner more than 30 years ago, performing in one of the smallest rooms in the Pleasance Courtyard, a couple of years before he won The Perrier Award. I think there were about five people in the crowd.…
Read MoreFringe Review: Paul Foot: Dissolve
Alister Tenneb reviews Paul Foot: Dissolve at the Edinburgh Festival Fringe. PAUL FOOT enters the room and immediately is right up shouting into people’s faces in a pretty full-on manner – possibly it’s his way of laying down the rules for audience engagement. I’m glad not to be on the receiving end of it. He…
Read MoreFringe Review: Alexander Bennett: I Can’t Stand the Man, Myself
Alister Tenneb reviews Alexander Bennett: I Can’t Stand the Man, Myself at the Edinburgh Festival Fringe. HAVING arrived just in time for the performance, I was dreading sitting at the front and where the only empty seat was in this sell out production – I was very relieved that Alexander Bennett made a point of…
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