Fringe Review: Hello, the Hell: Othello

Megan Amato reviews Hello, the Hell: Othello at the Edinburgh Festival Fringe. BARDOLATORS may be horrified to hear that I was never a huge fan of Shakespear’s works – comedies nor tragedies. Despite this, I have seen and read an extraordinary number of retellings as they often bring fresh and creative twist. In Creative Jakhwa’s…

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Fringe Review: Taiwan Season: Since 1984

Megan Amato reviews Taiwan Season: Since 1984 at the Edinburgh Festival Fringe. I CAN always count on Taiwan Season to bring a thoughtful and outstanding range of acts to the Edinburgh Fringe and #Since1994 proved to be no exception. On the surface, this circus/physical theatre is visually stunning. The strength of each performer is demonstrated…

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National Theatre unveils Dracula and Mina

THE National Theatre of Scotland (NTS) has today unveiled the first look at its production of Dracula: Mina’s Reckoning. The play was written by Morna Pearson and shifts Bram Stoker’s narrative to the North-East. The NTS has assembled an all-female and non-binary cast for the production, which will tour Scotland, Liverpool, and Coventry in September…

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Fringe review: Tending

Jeremy Welch reviews Tending at the Edinburgh Festival Fringe. Normally when the NHS is mentioned it is conjoined to those that want it restructured, those that want more funding and those that think nurses are saints or not.   All this narrative is usually underpinned by entrenched political views. So it was with some nervousness that…

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Fringe reviews: The Greatest Show Songs

Jeremy Welch reviews The Greatest Show Songs at the Edinburgh Festival Fringe. On arrival I was expecting a wide age range of attendees but it would seem that this show has a large groupie following of silver haired West End aficionados.   It felt slightly like arriving on a SAGA cruise holiday, which was a shame…

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Fringe review: Journey to the West

Megan Amato reviews Journey to the West at the Edinburgh Festival Fringe. Published during the Ming dynasty, Journey to the West is likely one of the most well-known and celebrated Chinese novels – at least to us outside of China. In fact, there were two adaptations of it at the fringe this year: the first a…

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International Festival Review: Trojan Women

 Megan Amato reviews Trojan Women at the Edinburgh International Festival. As someone who usually keeps the media consumed to happy – or at least bittersweet – endings,  a retelling of Euripides’ epic tragedy may seem like an odd choice. However, I was immediately drawn to this women-forward production combining Korean pansori with a famous Greek…

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FRINGE REVIEW: IMA (‘Pray’)

Rosie Morton reviews IMA at the Edinburgh Festival Fringe.  IMA (the Hungarian word for ‘pray’) is a spine-tingling circus experience from Budapest’s multi-award-winning Recirquel Cirque Danse company. It is a mixture of contemporary circus, dance and theatre in which a sole aerial performer takes centre stage. First, you are put into a sensory deprived, blue/grey room…

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Fringe Review: Ctrl Room

Jeremy Welch reviews Ctrl Room at the Edinburgh Festival Fringe. This is an immersive theatre production from Black Hound Productions.   Think Crystal Maze and you’ll be along the right track. The scene is the battlefield of the future and the role of artificial intelligence in battle. The audience is separated into two different rooms by a…

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Fringe Review: Everything Under The Sun

Jeremy Welch reviews Everything Under The Sun at the Edinburgh Festival Fringe. Dear Mother Africa, she bleeds. This play is written and directed by Highland writer Jack MacGregor, it is very well researched and his forensic eyes have turned the situation in Mali into a compelling drama. Mali?  Where is it?  What is happening there? These…

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